Any sudo-ers know how to burn a screen? I kind of do, but have these
three stretched screens and want to use at least one of them for our
library project
(https://www.newschallenge.org/challenge/libraries/submissions/the-library-f…).
See the image in the link.
Please let me know, will pay back in delicious and healthy take out food.
<3,
A
Hi all,
The restauranteur who let us take the compressor and condenser for our
upstairs walkin fridge, has offered to let us dissassemble another walk-in
at another of his restaurants in SF that he is remodelling -- IF we do it
asap.
He wants us to come tomorrrow - I realize this is probably too soon for us
to organize properly, but I would like a crew of Omniers to be able to do
it perhaps the day after tomorrow.
This would be perfect for a walk-in in the basement kitchen, so that it can
be a more professional woking kitchen that can help pay us and FNB back for
the money we are spending fixing it up. This has been part of the plan for
the basement kitchen since the beginning, so this is amazing and great! It
could go either into the room by the furnaces or part of the current larger
pantry along shattuck.
To disassemble this beast I think ideally we want at least four people, as
well as Carl from People's Refridgeration to disconnect the compressor
properly and remove the refridgerant. We will also want someone who know
how to safely cap off the electrical and plumbing.
We also want to bring several drills, an anglegrinder, the fien saw, a full
hex key set and set of wrenches, and electrical tools. - there are lots
and lots of screws.
Last time, Alice was an unstoppable force of nature who told us how to
disassemble it all and did most of the heavy lifting herself. This time
around, if Alice is free, it would be best if Alice directed us and others
did most of the work. Alice really went all-out last time on our behalf and
we need to do this ourselves.
The restauranteur also has lots of chairs and tables that we could use in
La Commune, which is awesome, plus lots of other stuff / infrastructure..
David
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She's righteous!!!
http://www.radarproductions.org/mimi-nguyen-on-epic-dream-dates-with-keanu-…
MiMi Nguyen On Epic Dream Dates with Keanu Reeves, Tenure & Obscurantist Labor
MiMi will be reading at the November 4 Radar Reading Series at the San Francisco Public Library. We asked her some questions about dating, writing and advice for artists.
Tell us about something that challenged you during your last (or a current) project.
The worst thing about writing the first book (The Gift of Freedom) was that I had to finish it according to an external deadline – tenure. At some point I found I wasn’t writing to answer a question about liberal empire, or to close the circle of the argument, but to meet an institutional metric for a “productive” scholar. And even though I was writing with friends confronting the same metric –we would literally sit in a room together and write for hours, next to one another, chatting about a sentence one minute and leading each other through some stretches another—it was still an incredibly isolating experience.
The moment I remembered that I had an intensely satisfying creative and intellectual life long before I came to the academy was transformative. A feminist literary scholar named Janice Radway came to my campus and in a lecture discussed my work as a zinester (with particular reference to the Race Riot compilations, and feminist critical theory in my zines) and its relationship to my scholarship now. I had been feeling so under seige on the tenure track that I cried for a few days afterward, because I understood so acutely what I had been missing for the last few years – which was writing to the question, for the argument, and of course, for myself.
You get to have an epic dream date with anyone dead or alive: who are they and where do you go on your date?
My friends reading this would know it’s a lie if I chose anyone but Keanu Reeves. That said, I have no idea what an “epic dream date” would be, and having only been on a few “proper” dates, and it seems like it would be awkward to go on a grown-up, straight-person date with Keanu Reeves.
But pretending as if this isn’t the most awkward question, we could just go to a punk show on his motorcycle (or if he still has access to that time-traveling telephone booth, we could take the booth to the Hong Kong Café to see The Bags or The Go-Go’s in 1979), and then spend a few hours going through the boxes of zines and records in my living room I haven’t made time to read or listen to yet. After that, we could choreograph a mash-up of a movie-fu fight with Kate Bush’s “Wuthering Heights” dance and put it on YouTube as a performance piece. I hope he kept his sleeveless denim jacket from River’s Edge, because I would wear the crap out of it in the video. (Also I would be wearing Madonna’s boots from Desperately Seeking Susan, since those are the most epic shoes.) And then we could make a 24-hour zine about making art and getting older, and I could impress him with my carefully hoarded Letraset collection.
I should note that I am answering these questions with a cold fogging my brain. The other night, while otherwise wiped out on Advil, I randomly started a site to archive all the responses to Kara Walker’s “A Subtlety, or The Marvelous Sugar Baby.” I am totally a good time, Keanu.
Give us one piece of advice you want to share with artists – about life, bills, process, editing, brainstorming, anything.
I don’t have advice as much as I have “random questions about the nature of work.” How do we reproduce troubling measures of civic and capitalist productivity through binaries of activity/passivity in our cultural work? How do we evaluate an artistic process or object or experience? Through what measures of value, accountability – and to whom? As a scholar, I hear from both administrators and activists that the intellectual labor I do “should” yield concrete outcomes – whether in publications or grants, or in something measurable as “social change.” I worry about what these utilitarian (and sometimes authoritarian) demands mean for us, especially because I want to hold out a place for creative and intellectual labors that are slow to unfurl, or otherwise appear to the efficacious eye as useless, obscurantist, impractical, marginal, or wholly unproductive.
Sent from my iPhone
Hi Lesley,
I would strongly suggest a language change to the flyer.
The flyer currently asks: "What would Nov. 1 look like if Dia de los
Muertos was obsolete?" For me, Día de los Muertos is a day to immortalize
my loved ones who have passed away. Given this sentiment, the idea of it
becoming "obsolete" doesn't make sense to me. Also, I'm certain you don't
mean it this way, but I feel like it even borders on judgmental, like it
brushes off that sentiment and the immortality of the event itself. I would
suggest language that asks how Día de los Muertos might be reimagined in a
futurist framework. Does that make sense?
Thank you,
Vicky
I just want to remind everyone that the disco dancefloor can light up, but
the controller doesn't exist anymore. John (the landlord) says that all
the lights in there work, which means all we need is a controller.
I have plenty of relay boards we can hook up to that stuff, so anyone who
is interested in getting the lightup dancefloor working again should let
me know, and we can work on it together. Or at least i can supply you
with the parts and materials and help you if you get stuck.
-jake
On Mon, 27 Oct 2014, niki wrote:
> Hi Noemie!
> The Disco room is currently OMNIdance's space (until the end of November, I believe) so they are the ones you should speak to about this.
>
> After November, the Disco room may get folded back in to the commons at which point this would be the right place to direct inquiries about reserving time
> there :)
>
> <3
>
> Niki
>
> On Mon, Oct 27, 2014 at 3:13 PM, Noemie Serfaty <noemieserfaty(a)gmail.com> wrote:
> Hello!
> Is it possible to book the disco room from 5 to 6:30 pm on sundays for free yoga classes?
>
> Thank you!
> Noémie
> --
> Noémie Serfaty
> 108 rue du Faubourg du Temple
> 75011 Paris
> Tel: 06 27 76 88 84
> Tel: 01 71 50 51 82
> noemieserfaty(a)gmail.com
>
> _______________________________________________
> booking mailing list
> booking(a)lists.omnicommons.org
> https://omnicommons.org/lists/listinfo/booking
>
>
>
>
Wow! Look what wonderful possibilities there are, in the arrangement of the sudo room. Come organize the space.
Help make room for:
+ mesh and networking platform
+ robot galaxy
+ computer nursery
+ hardware equipment
+ workshop
+ sewing and embroidery station
+ multimedia classroom
+ common tables
+ drawing and art station
+ testing station
+ more!
Come get creative and set up the space as you like!
// Matt
On Fri, Oct 24, 2014 at 5:53 PM, Sonja Trauss <sonja.trauss(a)gmail.com> wrote:
> I just didn't want to seem aggressive or like I'm trying to troll the list
> or criticize you in public.
Replying privately with an argument is in some ways more aggressive
than replying on the list. It can make people feel cornered, makes it
harder for them to call for backup, and can potentially enable
triangulation gaslighting. Please ask for explicit permission from
people before starting private email arguments.
> But since you do - can you explain a thing I always wonder about when I read
> authoritative statements about "My Culture" -
> What should I make of Hispanics that don't agree with you - Hispanics who do
> not care who celebrates their holidays, or Hispanics who don't feel
> particularly connected to their holidays? Which one of you speaks for all
> Hispanics?
Speaking from an identity position is not the same as "I speak for
everybody who shares my identity." Missing a subtle but important
distinction like that and then haranguing somebody else over it, is
the hallmark of a well-played troll. You've been warned several times
on this list for creepy racist behavior. Please end it once and for
all. Thank you.